DIASPORA: Meer makes waves for Arab women in rap music

Culture, Interview, Music

Rapper Meer is a young woman living in Australasia. Having just moved to Sydney from Auckland to be with the love of her life she says she appreciates a man who respects a woman going after her potential. “I want to make a mark as an Arab woman – I want people to know what an Arab is. I want Middle Eastern to be a part of the selection when you choose where you’re from,” she says.

Born in Dubai, she came to New Zealand when she was five years old. Having always used writing as an important outlet, especially when it comes to her mental health and positive well being, she says eventually making a rap song became an obvious choice. “The first time I went up on that stage I couldn’t explain it, it was something magical, that feeling I got, I couldn’t get anywhere else and I was addicted.”

Although her lyrical content can get quite heavy theme-wise she says “I want people to scream my name on that stage I want people to know my lyrics, I  want to touch people in ways that they have never..that sounds weird…I want to affect people emotionally through my music, in ways they’ve never been before.”

‘You messing with a bad bitch’ goes the hook of her most recent video release Pomegranate. But, she says “I’m not really an intense person – I’m such a kid – the person you see on stage is someone who feels powerful and wants to prove it but the person I am when I get off stage is powerful and I don’t have to prove it. Even though there’s a lot of intense content, people might think it’s too much.. Do you think?”

THREADS: VILLETTE – Talks the Powersuit & Dasha Lingerie

Music, Threads

“Our bodies are temples right? It’s crazy – our bodies are sacks of flesh holding everything together – but our spirit lives inside of us. I’ve always believed that we’re just vessels, and the way we dress ourselves is literally armour, so I think when you put something on to clothe your vessel it’s kind of like a spiritual statement whatever you wear” – Villette Dasha

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The 23-year-old singer/songwriter/producer and audio engineer has just released ‘Not In Love’ which is available on all platforms and the first single off her upcoming EP. It was produced by VILLETTE as well as mix and mastered by her and SmokeyGotBeatz . The shit is flame emojis. A lot of them. And representative of her fine attention to detail and craftsmanship in her music work. In this interview for Threads by Serum we talk about the power of the women’s suit and how clothing can be like armour; as well as her lingerie line “Dasha Lingerie”. She says “You know when you wear sexy lingerie like matching bra and knickers it’s like – dope you know. You could be wearing it just under track pants and a hoodie but you feel put together – I don’t know what it is”.
She recalls “My mum had a suit like this but it was lavender and it was so sick, she used to have these long braids as well.” Remembering a happier time from her childhood when she and her older sister Renee dressed up for their parents she says “I wore the coat and she wore the pants. We walked into the lounge in our house in Manurewa and did a little show for my parents. Whenever I see this it just reminds me to work hard”.
“Janelle Monae always wears a black and white suit – I read an interview where she was talking about the suit and how it represents how hard her parents worked – One’s a bus driver and the other a janitor. They both worked hard out 9-5 jobs and she always sticks to the black and white theme, suits and business attire to commemorate the hard work they’ve done.”

SERUM: Do you mean in terms of feeling confident and how clothing can fit on your body, like dressing for the job that you’re going to do?
VILLETTE: Yeah that’s a part of it. I think also feeling like you need to lead as well, cause I work in my home, my studio is right next to my bedroom, and that actually takes a lot of work to come from the bedroom to the studio when you could just stay in bed and watch Netflix all day. So if I know I’m working at the studio I’ll force myself to get up, have a shower and try and at least spend like 6 hours of the day in the studio.

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A dress she picked up in 2016 for her performance at Belasco Theatre in Los Angeles. Found in Santee Alley, an outdoor shopping district there.

SERUM: What would you wear to your studio?
VILLETTE: I will still dress up and wear something like a singlet with flowery pants – or I’m usually just in tracks pants and a hoodie cause that’s what’s comfortable. It really depends on how I feel cause sometimes I wanna feel empowered or I’m not having a good day or something so I’ll wear something sexy or do my hair & make up just to go to the next room.

SERUM: How does that help you create your juice – like I call it good juice – but for you, how does what you’re wearing enhance how you feel?
VILLETTE: Our bodies are temples right, I was talking about this literally last night – it’s so crazy how our bodies are sacks of flesh and we’re holding everything together but our spirit lives inside of us and that’s our vessel like I’ve always believed that. The way we dress ourselves it literally is armour so I think when you put something on to clothe your vessel it’s kind of like a spiritual statement whatever you wear and it’s just a representation of how you’re feeling and it should be armour – it can be armour and it can be also be a sword – it depends on what you wear.
This is made of cotton and it was made for me – it’s a traditional Samoan garment. I wore this to my nan’s funeral. It was from a shop in West Auckland and this just represents culture to me – it’s my armour whenever I go and do a cultural thing and if it’s really really important – for example I’m going to get my malu next year which is a traditional Samoan tattoo from here [waist] to here [lower thigh] and I would wear this to the ceremony and I’ll go get that done in Samoa. I love this but it’s not something that I would wear lightly and just wear around – it’s something I would wear at special occasions.

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Left: A Calvin Klein jacket her boyfriend Neihana thrifted in the US. Right: Traditional Samoan Garment.

SERUM: If we refer to it as like a tool box, why would you say it’s important for women to have clothes and image in that tool box like a professional repertoire or like an arsenal?
VILLETTE: I think people find their armour in different ways but for me personally, mine’s a suit – your professional wear can be like a hoodie and track pants or t-shirt or scuffs but it’s important to have something that makes you feel protected. It’s just good for your spirit I feel like as working professionals, we need even just one piece of clothing that feels like our armour, that no matter what it’s all good!

SERUM: Tell me about how you created Dasha Lingerie.
VILLETTE: I wanted to make Dasha Lingerie because I’ve loved lingerie since I was little and because I’m always wearing lingerie in sets with suits. I also wanted to make Dasha because I just wanted other people to feel how good it made me feel knowing that I don’t feel good all the time – it’s just a nice feel good item – the lingerie isn’t meant to hold your boobs up or anything, it’s literally just meant to fit over your natural curves – it’s really just a feel good piece.

SERUM: It’s really Coco Chanel that contrast.
VILLETTE: I love Chanel as well, that’s probably my favourite major brand or whatever. I don’t own anything Chanel, I just like to watch the catwalks and I love the shows and the jackets like the Chanel jacket is iconic – I’d love to own one one day but then again I don’t want to spend that much money on it. The lingerie just came along really naturally and when I go to a lingerie store I don’t wanna be paying for a bra that’s like $40 for something that’s got hardly any material but it costs so much. I don’t agree with that so I just thought $20 is good for everyone because it’s a nice sexy piece and it’s just something that’s so sweet. It can frame your body. When women feel sexy they’re unstoppable, like the whole vibe changes and you just feel it – they look bigger I’m not sure how to explain it but their presence is more intense you can feel them in the room – it’s so good.

Purchase Dasha Lingerie HERE.

Interview: Introducing KVKA — “All Black Range, Malcolm X Knew Better”

Culture, Music

Speaking about his song ‘La Musica’ produced by Tony Douglas, Hamilton resident Mukuka Simwinga aka KVKA says, “I feel very strongly about the new age slavery, it’s like where Africans and minorities have got to a place where white people and other people don’t have to put us down because it’s like self hate. So when I say [in the song], ‘where gold chains make slaves look better, all black Range Malcolm X knew better, gold chains swing just to lynch me better’, I’m saying we’re doing this to ourselves; it’s to a point where all we care about is, ‘oh yeah I got ice on my neck and I got the new whip’, and you’re not thinking about the fact that back in the day your ancestors would never wear that chain around their neck, they’d never do that because they know exactly what it means. It’s like they work so hard to get free and then we put chains back on ourselves. It’s something I have to work on as well. I say ‘nigga’ sometimes. I say all the ignorant stuff. But I think it’s something, where we need to get to the point, where we can battle it and not just sit down and say, ‘Oh yeah our ancestors helped us to get free — because we’re not free. Corporations are still above us and everyone’s not at a place where everyone’s equal yet.’

With KVKA hailing from a family of musicians and poets, he draws inspiration from his brother listening to Otis Redding, the church, and “my mum, when she’s was younger, used to write poetry as well. So it’s kind of like everyone in my family is creative. I sit down and try to absorb all the creativity around me. My sister was a big influence. She went for this poetry slam and won. She was on Drew and Shannon Live and she had an episode on Both Worlds — I realized through all that stuff that I could actually do something with it instead of it just being a closet-type hobby”.

Never having had a build up into the scene that was public, he instead worked behind the scenes until he sprang into the spotlight with his video for ‘The Zone’ which was filmed by YouTube based channel Visual Base TV. This produced a snowball effect which landed him on the doorstep of Tony Douglas’ house in Hamilton. Literally. Drenched from walking in the rain after church one Sunday, they’d arranged their first session. For now, all we can say is that he plans to continue rising up the music leader board. KVKA, who is of Zambian descent but New Zealand citizenship, has immersed himself in the influence of his family, friends, Hip Hop and most notably his own self awareness — it makes him an independent thinker and somewhat explains his impeccable lyricism, wordplay and sound. He says, ‘I don’t want to just be a rapper, I want to change the whole culture of New Zealand rap. And it’s really awesome because I’ve been sitting here and listening to all these underground rappers from New Zealand I never knew of, there’s Mikey, Third3ye, Diaz Grimm, everyone’s starting to change the [music] culture from New Zealand — and no offence to anyone, like I love Scribe, but from Scribe to be[ing] more universal with the world — but still keep our authenticity — I’m proud to be in New Zealand and be apart of what’s going to happen. Personally, I want to be right at the front, leading this new generation of underground to the world.’

WDYFILWHH had the chance to Skype KVKA and get a closer sense of who he is and what he’s about. It’s no doubt that this is 27 minutes worth listening to. While you’re at it, you can get a bit more acquainted with KVKA’s music on his SoundCloud as we patiently wait for the release of his début EP L.O.E.S, out on the 1st of November.

Interview: Thirty Minutes With Ta-ku

Music

Perth based producer/beat maker Ta-ku doesn’t drink, smoke, take drugs or even make beats for a living, he does it after dinner, before bed as a side project. He has an out look on life that seems as progressive as his music considering recent heavy weights to hip hop, like Kendrick Lamar or Oddisee renouncing drugs and the party life because, religion, health, keeping a straight head while focusing on work and music.

It seems Ta-ku was onto something the rest of us have ignored all along. But more and more people are retracting from peer pressure to conform in favour of personal progress and simply enjoying the creative work itself.  Despite leading what he calls a ‘regimented’ life he still manages to work on tracks like ‘Cake’ for @Peace, remixes for Flume or feature artists like JMSN; lets not forget his own 50 days for Dilla two-part release or the project he did with Home Brew’s Haz where they went back to back in June 2011 posting a beat a day. I got to sit down with Ta-ku at The Bird in Perth and talk beats, music, life and hip hop. Perth has such a nurtured beat scene with regular events like the Beat Lounge or Boiler Room TV  – Ta-ku is an exciting example of the good music that grows there. In 2013 he began his own label, Sunday Records,  with the intention to support fellow beat makers by providing them access to a bigger audience. He says there’s so much talent out there but people are still hiding in their bedrooms, which he wants to change.