THREADS: AUCKLAND DIVERSE with SIAN KOLOSE

Culture, Threads

In this T H R E A D S shoot I linked up with Sian Kolose who, at the time, had her online shopping mecca Hunting Ground Store still in incubation with her sister Tina Kolose. For this shoot, we put together a list of the dopest models we could source, then set about shooting them. I realised while putting this portfolio together just how busy we got – 16 models, two days, one make up artist, two cameras, one stylist (Sian), one photographer (me) and K’RD. 

Models included Luke Collins, Maia Te Hira, Anny Ma, Suha Wahab and Sarah Hindley, Max Robinson and Tina Kolose. Blaze the Emperor, Bryson Naik, Tony Douglas, Blu, Shajal Singh, Tashi Levitt, Arlena Teiho, Leah Pao, Bheilee Okesene, Felicity Aroa.

EXPERIMENT

Working with Sian was a really fun experience, I particularly enjoyed the collaborative freedom I had when working with her.  Two examples are getting Tina to hop into the trolley as well as contrasting Tashi’s white satin skirt with the dirt from the car park; also the darker tone of the material soaking up the fresh water (it had just rained) from the puddle. (BELOW). Being my first shoot of this scale, working with Sian gave me the confidence to try new ideas out. 

STREET

REFLECTION

PRE-LOVED

Recyclable fashion is a good way to combat the humongous waste issue that human kind face remedying today. Having the skills to re-work an old garment and make it new, or the eye for how to pick a garment and make it seem new is an ever-growing/required skill and, as we continue to throw material into the earth – like we don’t understand some materials like Nylon take around 20 years to breakdown- we must incorporate reusable fashion into our basic shopping vocabulary. ** Disclaimer** to the Salvation Army in Glenn Eden – this does NOT excuse you charging 70$ for a shirt someone dropped off while throwing away rubbish and other household goods, then telling customers on a low budget ‘well that’s what it costs in Ponsonby’. Just saying… Not really I mean it… Please stop dousing the thrill of op-shopping with your inflation excuses!

ELEMENT

This year, Rihanna did a shoot for Garage Mag, shot by photographer Deana Lawson who specialises in taking photos of subjects in their home, in what she describes as ‘their domestic space’. Shajal (BELOW) used to flat above the shoot location – Hero Sandwich House – in Auckland so was certainly in her natural space. I would like to explore these themes more in future work – especially in domestic settings. 

MOTION

Movement is another aspect I noticed when reflecting on this shoot, these models had their stance on-point and I also liked to encourage the energy and sense of action with my angles. (Shout outs Blaze The Emperor). 

BRYSON X TONY

COLLABORATION

Tony Douglas is someone whose style I noticed after moving home from Perth in 2011, he was DJing at an underground bar in Wellington as one half of Calm The Fuck  Down aka CTFD. During this shoot, a film and photography guru himself, he taught me to set the meters properly on my external flash. (Blush face emoji).

DIASPORA

Joan Smalls took part in this interview with the Business of Fashion addressing diversity and inclusivity last year. She said “It’s interesting because of my background I come from an interracial family and my household has every different shade and in my world I’ve always seen it as inclusive so coming to New York and making a career modelling they reminded me ‘what we see you as’ not who I identified with”. I think as women of colour, Sian and I brought that sense of diversity within the world we see to the shoot; it’s something that I feel proud of upon completing the project.

HERO SANDWICH HOUSE

CULTURE

Cultural diversity in mainstream media and the importance of seeing one’s self reflected on TV and billboards is an agenda in my work that I hold dear. Growing up as an ‘other’ in New Zealand, it was very earlier on in my exploration of myself, then my work as an extension of myself, that I have consistently focused on culture and identity. Juxtaposing the confronting and contradicting elements that happen when east meets west in my compositions is something I will continue to do. There have been movements and collectives in Auckland like Milkshake Models, Dynasty, FAF SWAG and photographers like Imogen Wilson who have also pushed identity boundaries – I’m only excited to see what the future brings for Kiwi creatives and brown children who can see themselves positively and accurately reflected in the media. 

MERCURY PLAZA

Mercury Plaza is definitely a popular Auckland location for food and photos. The food court there is due to close, but I hope it reopens/moves somewhere else cause for me – South East Asian food is what helps me hold on to small pieces of Malaysia and remedies the sense of feeling homesick all in one $10 meal! 

There are more shots from this shoot on Instagram

THREADS: VILLETTE – Talks the Powersuit & Dasha Lingerie

Music, Threads

“Our bodies are temples right? It’s crazy – our bodies are sacks of flesh holding everything together – but our spirit lives inside of us. I’ve always believed that we’re just vessels, and the way we dress ourselves is literally armour, so I think when you put something on to clothe your vessel it’s kind of like a spiritual statement whatever you wear” – Villette Dasha

Villette1

The 23-year-old singer/songwriter/producer and audio engineer has just released ‘Not In Love’ which is available on all platforms and the first single off her upcoming EP. It was produced by VILLETTE as well as mix and mastered by her and SmokeyGotBeatz . The shit is flame emojis. A lot of them. And representative of her fine attention to detail and craftsmanship in her music work. In this interview for Threads by Serum we talk about the power of the women’s suit and how clothing can be like armour; as well as her lingerie line “Dasha Lingerie”. She says “You know when you wear sexy lingerie like matching bra and knickers it’s like – dope you know. You could be wearing it just under track pants and a hoodie but you feel put together – I don’t know what it is”.
She recalls “My mum had a suit like this but it was lavender and it was so sick, she used to have these long braids as well.” Remembering a happier time from her childhood when she and her older sister Renee dressed up for their parents she says “I wore the coat and she wore the pants. We walked into the lounge in our house in Manurewa and did a little show for my parents. Whenever I see this it just reminds me to work hard”.
“Janelle Monae always wears a black and white suit – I read an interview where she was talking about the suit and how it represents how hard her parents worked – One’s a bus driver and the other a janitor. They both worked hard out 9-5 jobs and she always sticks to the black and white theme, suits and business attire to commemorate the hard work they’ve done.”

SERUM: Do you mean in terms of feeling confident and how clothing can fit on your body, like dressing for the job that you’re going to do?
VILLETTE: Yeah that’s a part of it. I think also feeling like you need to lead as well, cause I work in my home, my studio is right next to my bedroom, and that actually takes a lot of work to come from the bedroom to the studio when you could just stay in bed and watch Netflix all day. So if I know I’m working at the studio I’ll force myself to get up, have a shower and try and at least spend like 6 hours of the day in the studio.

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A dress she picked up in 2016 for her performance at Belasco Theatre in Los Angeles. Found in Santee Alley, an outdoor shopping district there.

SERUM: What would you wear to your studio?
VILLETTE: I will still dress up and wear something like a singlet with flowery pants – or I’m usually just in tracks pants and a hoodie cause that’s what’s comfortable. It really depends on how I feel cause sometimes I wanna feel empowered or I’m not having a good day or something so I’ll wear something sexy or do my hair & make up just to go to the next room.

SERUM: How does that help you create your juice – like I call it good juice – but for you, how does what you’re wearing enhance how you feel?
VILLETTE: Our bodies are temples right, I was talking about this literally last night – it’s so crazy how our bodies are sacks of flesh and we’re holding everything together but our spirit lives inside of us and that’s our vessel like I’ve always believed that. The way we dress ourselves it literally is armour so I think when you put something on to clothe your vessel it’s kind of like a spiritual statement whatever you wear and it’s just a representation of how you’re feeling and it should be armour – it can be armour and it can be also be a sword – it depends on what you wear.
This is made of cotton and it was made for me – it’s a traditional Samoan garment. I wore this to my nan’s funeral. It was from a shop in West Auckland and this just represents culture to me – it’s my armour whenever I go and do a cultural thing and if it’s really really important – for example I’m going to get my malu next year which is a traditional Samoan tattoo from here [waist] to here [lower thigh] and I would wear this to the ceremony and I’ll go get that done in Samoa. I love this but it’s not something that I would wear lightly and just wear around – it’s something I would wear at special occasions.

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Left: A Calvin Klein jacket her boyfriend Neihana thrifted in the US. Right: Traditional Samoan Garment.

SERUM: If we refer to it as like a tool box, why would you say it’s important for women to have clothes and image in that tool box like a professional repertoire or like an arsenal?
VILLETTE: I think people find their armour in different ways but for me personally, mine’s a suit – your professional wear can be like a hoodie and track pants or t-shirt or scuffs but it’s important to have something that makes you feel protected. It’s just good for your spirit I feel like as working professionals, we need even just one piece of clothing that feels like our armour, that no matter what it’s all good!

SERUM: Tell me about how you created Dasha Lingerie.
VILLETTE: I wanted to make Dasha Lingerie because I’ve loved lingerie since I was little and because I’m always wearing lingerie in sets with suits. I also wanted to make Dasha because I just wanted other people to feel how good it made me feel knowing that I don’t feel good all the time – it’s just a nice feel good item – the lingerie isn’t meant to hold your boobs up or anything, it’s literally just meant to fit over your natural curves – it’s really just a feel good piece.

SERUM: It’s really Coco Chanel that contrast.
VILLETTE: I love Chanel as well, that’s probably my favourite major brand or whatever. I don’t own anything Chanel, I just like to watch the catwalks and I love the shows and the jackets like the Chanel jacket is iconic – I’d love to own one one day but then again I don’t want to spend that much money on it. The lingerie just came along really naturally and when I go to a lingerie store I don’t wanna be paying for a bra that’s like $40 for something that’s got hardly any material but it costs so much. I don’t agree with that so I just thought $20 is good for everyone because it’s a nice sexy piece and it’s just something that’s so sweet. It can frame your body. When women feel sexy they’re unstoppable, like the whole vibe changes and you just feel it – they look bigger I’m not sure how to explain it but their presence is more intense you can feel them in the room – it’s so good.

Purchase Dasha Lingerie HERE.

Photo essay: Chicago, 2014 — Sara Coe

Art, Culture, Feature

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Sara Coe

I’ve had a five-year unexplainable love affair with New York. But now New York has competition, and his name is Chicago.

When I heard my good friend was moving to Chicago for three months, I thought it would be the perfect opportunity to visit him. I always wanted to visit Chicago, I knew it was going to be an amazing city, purely based on the fact it produces great music. And for it to have inspired such great music (Le Common Gil Scott-Heron, Kanye, Lupe etc), I thought ‘It must be one special place.’ And it was.

…And Oprah is from Chicago. Don’t hate. I love Oprah.

Chicago has been getting a lot of media attention these days for being a dangerous city. Last year, it even passed New York for being the murder capital of America. Maybe it was because I didn’t really venture into the really dangerous places but I didn’t feel unsafe at all. It was friendly, the vibe was soulful and I loved the people.

I’ve been living in Japan for the last four years and although I love Japan, I missed the friendly and random interactions I had with the people in Chicago. Here are a few pics of my adventures.

Love you Chicago.

x

Follow Sara HERE.