AFRO/KIWI IDENTITY – BEHIND THE SCENES WITH THE STORYTELLERS

Culture, Feature

The Storytellers is a research project executed by author, event manager, researcher and creative director of the website Africa On My Sleeve, Makanaka Tuwe. Now living in Morocco, Maka has been running projects for years. This one in particular began as a university requirement for her masters qualification, but grew to become an intrinsic bond between the nine young Afro/Kiwi women involved; exploring ways to shift the mainstream narrative of African people and perceptions of them, the answer was to become the storytellers themselves.

Maka says “Over a period of two months The Storytellers and I met on Sunday afternoons and what was a creative research project soon became a space of healing, seeing ourselves reflected in our worlds and a safe space were we could unravel. Through the creation of content we produced visual outputs that explore and share the experiences of third culture identity, African representation, being a woman of colour, black love, cultural heritage, colourism, tokenism and intersectionality within African identity.”

PROJECTS:

Dancer Chanwyn Southgate produced a piece in tribute to Brenda Fassie, a South African musical legend; photographer Synthia Bahati asked what does an African look like? In her project Huemans of Africa; a song by singer/songwriter Laila Ben-Brahim called Our Heritage addresses feeling pride in one’s genetic make up; #BLACKGIRLDIARIES explores what happens when being different affects you negatively by Tadiwa Tomu;
mixed race Rita Wakefield writes an essay asking ‘What Is Blackness’; ‘A Weak in My Life’ is a body of poems by Mwangileni Kampanga; there’s a series of memes by Adorate Mizero called ‘A Reflection of the Diasporic African Millennial’ and Rumbi Tomu a focuses on Black Love .


“On the food chain of life it goes white men, white women, black men, black women.” – Makanaka Tuwe.

MAKANAKA TUWE – PHOTO BY SYNTHIA BAHATI.

RESEARCH INFO:

“This research is aiming to provide an impetus for researchers, policy makers and those interested in African development to start exploring different participatory and alternative methodologies to countering the issues that come with migration, identity and representation for people of African descent in the New Zealand context. I begin the exegesis with a personal narrative I wrote as a reflexive diary entry during the research process. The decision to begin Chapter One with Home but never Home was to highlight the reality of navigating life as a woman of African descent in New Zealand and the conversations I engage in about identity and belongingness.” Download Maka’s research HERE.

Go behind the scenes with S E R U M and T H E S T O R Y T E L L E R S photo shoot/interview processes below:

PROJECT EXCERPT:

LAILA BEN-BRAHIM – PHOTO BY SYNTHIA BAHATI.

“For a long time I felt ‘stuck’ between living in western societies norm and following the path of my cultures. Unfortunately, society made me feel discouraged to be who I intrinsically and biologically am. I was trying to mould myself into someone I wasn’t just to fit in and feel ‘white’ – for lack of a better word. Eventually, the more I grew, I started to learn more about my culture, heritage and customs and realised that in order of representing who my family and I am, I would have to stand out at times. I wouldn’t need to wear my hair straight to school or eat promptly with a fork and knife. Some people took my dad’s broken English and heavy accent to mean ‘welfare’ or ‘refuge’, when I saw it as intelligence and wisdom. My brother would even simplify or change his name so people wouldn’t overlook his CV or just to make it easier for people. My dark-skinned friends and I would be labelled at school as the troubled kids and be disciplined without having done anything wrong. Women in my family who wear cultural clothing in public would be labelled, ridiculed, mocked or stared at when they were innocently walking through the city. I am now at a place where I am 100% proud to be a Moroccan-Samoan Kiwi. The values I learn from each enable me to grow, I feel like I have roots when before I felt discouraged, ashamed and a little lost. I love celebrating everyones differences from the inside to the outside because with difference there is no learning, growing or understanding.This song is about finding my love and appreciation for my heritage and culture in my early adulthood.” – Laila. Listen to her song HERE.

DIASPORA: Meer makes waves for Arab women in rap music

Culture, Interview, Music

Rapper Meer is a young woman living in Australasia. Having just moved to Sydney from Auckland to be with the love of her life she says she appreciates a man who respects a woman going after her potential. “I want to make a mark as an Arab woman – I want people to know what an Arab is. I want Middle Eastern to be a part of the selection when you choose where you’re from,” she says.

Born in Dubai, she came to New Zealand when she was five years old. Having always used writing as an important outlet, especially when it comes to her mental health and positive well being, she says eventually making a rap song became an obvious choice. “The first time I went up on that stage I couldn’t explain it, it was something magical, that feeling I got, I couldn’t get anywhere else and I was addicted.”

Although her lyrical content can get quite heavy theme-wise she says “I want people to scream my name on that stage I want people to know my lyrics, I  want to touch people in ways that they have never..that sounds weird…I want to affect people emotionally through my music, in ways they’ve never been before.”

‘You messing with a bad bitch’ goes the hook of her most recent video release Pomegranate. But, she says “I’m not really an intense person – I’m such a kid – the person you see on stage is someone who feels powerful and wants to prove it but the person I am when I get off stage is powerful and I don’t have to prove it. Even though there’s a lot of intense content, people might think it’s too much.. Do you think?”