2017 has taught singer, songwriter, producer Villette that those working with you have to put as much effort into your product as you do, otherwise, they have to go. To-the-point. Timely. Strong. This year the 22-year-old Samoan Chinese talent from South Auckland has been working super hard at her music — which can be an unforgiving environment — so she has to sometimes make tough calls to protect her brand. She’s learned the hard way she can’t tolerate those that can’t give 100 percent and more.
Key moments include a feature on the smash web-series Baby Mama’s Club, releasing her mixtape and touring Drip Crimson alongside a new lingerie series — of which the first set is called ‘If You Go’ — “That song is about feeling powerful, you’ve just broken up with someone or you think someone’s going to leave or you don’t know what’s happening in the relationship.”
“I feel empowered in that song when I’m saying fuck whose in your phone, fuck that other girl, I feel empowered when I say that so I called it If You Go because that’s one of the most powerful songs on the mixtape. She says the plan is to release lingerie with every project she does.
“This mixtape is pretty heavy and the new EP that’s coming out in January is going to be more about how I feel right now. It’s going to be more upbeat, more definitive more melody lead RnB”
Villette says, “This mixtape’s been going on for about 11-months but I’ve been working on new music during that time.” Drip Crimson is available on SPOTIFY and most platforms.
How have you found working at the industry level cause I remember when you played at the Greenroom and were booked via Facebook messenger..
[Laughs] The good old days when things were simple man, I miss that, nah I still get booked for some shit via Facebook, low key I still do it, I’m not ashamed of it.
And there’s a lot of love in those shows..
That’s where my people are like that’s just where I can really see how people feel and it’s different when you get asked to play a show through a booking agent cause you don’t know if it’s completely genuine or not or if it’s for marketing purposes and stuff like that so there’s a question of, if you want to do it or not, if it’s genuine, and then you have to think about your integrity as an artist; whether you should be playing that kind of gig or if its solely for the money and that’s where I’m at at the moment but I’m lucky to have booking agents who are my friends as well, so they know my values as an artists and they know where I stand.
… I think there’s a misconception because I still don’t consider myself in the ‘industry level’ yet, I still see myself as, in the beginning phases, for me I feel very early in my career and I feel like I’ve gone through a lot of shit with industry stuff but I’m learning on a personal level as an artists how to handle that because that’s going to define my success, how I handle these little challenges now, is how I’m going to come out the other end.
..Lots of people tell you what you should do and how you should handle stuff, but nothing prepares for you when someone offers you something amazing and it’s too good to be true and you take it and it was too good to be true and your like [lols] ‘Ahh fuck I should have listened’.
Whenever an artist gets involved with this it’s because you are that kind of person, you wanna take risks obviously for pursuing being an artist in such an over saturated market right now so..It’s just one of those things that comes with the territory.. but I enjoy it now and I’ve learned to handle it, and I’m still working on how I react to it on a personal level, emotionally react to it.
So you have to have a thick skin?
Have to. Like I’ve got followers, I’m not afraid to admit that I have fans and stuff like that but I also have my fair amount of haters and …there’s just ..always going to be shit that just comes with the territory, for one person that loves you there might be two who don’t like you, and I get hate messages on Instagram, I have people comment shit that I have to delete it’s really intense and that also comes with being a woman in the industry like people just always critique you on everything and then at the industry level you’ve got 50-year-old white men telling you what’s relevant and it’s like you don’t know what the fucks relevant, you really don’t.
..When you’re working in the studio you really have to have a thick skin because you have to trust your gut instinct, and that you know what sounds hot and that you know what sounds like you, when you’re trying to put your flavour into something, you have to be really strong and stand your ground and that can make you lose friends, I’ve learned that even recently I’ve lost friends over it.
Women, I think you’re right I think we do have to yank our personalities out in order to stand there and really deliver a solid performance..
I think that also comes from knowing your self-worth, on a personal level, at the end of the day I’m human, I’ll always doubt myself and always not know if I’m going to be insecure and that sort of stuff but when it comes to business I really separate it and just think ‘no this is my full-time job’ and treat it like that… I really expect great things from the people around me and lately in the last month I’ve just narrowed down my team and thought about like, one strike and you’re out, that’s it that’s all I can deal with. ..And that comes down to knowing your self-worth and knowing that how you handle your business is how other people should handle it [laughs] it’s simple, but it’s taken me so long to realise that.
How do you take a loss?
Oh man it’s hard, maybe at the beginning of this year I would have cried and been real fucking upset; lashed out at everyone around me, lashed out at my mum, even though she has nothing to do with it.. but it’s because it’s just like.. I struggle to talk about my emotions unless it’s in song so I just am that way …I’m going to fuck around and piss people off ..I still am that way… am still going to fuck around and piss people off but now I handle it better and I see it as: I fucking love losing now, failing is great to me. I’m kind of like, ‘Come the fuck on!’ because I’m in my twenties now I’m 22 and this is the time to try shit and fail at shit and know what you’re good at.
And Hamilton, you grew up there, was any of your creativity made there?
[There were] a lot of experiences. I did most of my growing up in Hamilton the pivotal moments in me teens were all there, my first boyfriend was there, my first everything was there lets just say that…a lot of my lasts were there as well cause when I moved here I was like I can’t do this shit anymore, I met a rapper over there as well and that was the first time I went in the studio, properly recorded, and that’s the first time I realised it wasn’t as easy as it looked, but I thank him for that experience because it made me realise that I wanted to work hard.
Catch more of this interview on Ryz FM.